Camille Pissarro Art Prints

Camille Pissarro was born in the Dutch West Indies to a Jewish father and a Creole mother. Despite the insistence of his father, Pissarro refused to make his career in commerce and left for Paris in 1855 where he entered the Academy Suisse. Initially, he was trained in a conservative style, but by the early 1870s, rejected this training and joined the Impressionist painters. Of all the Impressionists, Pissarro was unique in his avoidance of river and seascapes, choosing instead to re-create the beauty of the land and cityscape, both structure and activity. He had the ability, like Monet, to capture a specific scene at a particular moment. In 1885, Pissarro joined the Divisionists, adopting a loosely pointillistic technique. He soon abandoned this technique, however, and returned to Impressionistic ideas.
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Woman Hanging up the Washing, 1887
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18" x 24"
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Boulevard Montmartre, Spring, 1897
Fine-Art Print
24" x 18"
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The Avenue de L'Opera, Paris, Sunlight, Winter Morning, c.1880
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24" x 18"
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The Red Roofs, or Corner of a Village, Winter, 1877
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24" x 18"
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Chestnut Trees at Louveciennes, c.1871-2
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24" x 18"
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The Vegetable Garden with Trees in Blossom, Spring, Pontoise, 1877
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24" x 18"
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The Little Bridge, Pontoise, 1875
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24" x 18"
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The Church and Farm of Eragny, 1895
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24" x 18"
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A Corner of the Garden at the Hermitage, Pontoise, 1877
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18" x 24"
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Avenue de L'Opera, Paris, 1898
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24" x 18"
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At the River's Edge, 1871
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24" x 18"
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Louveciennes
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24" x 15"
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Woman in the Meadow at Eragny, Spring, 1887
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24" x 18"
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The Road to Louveciennes, 1872
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24" x 18"
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The Apple Pickers, 1886
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18" x 24"
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The Pont-Royal and the Pavillon de Flore, 1903
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24" x 18"
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Effet de Neige a Montfoucault, 1882
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24" x 18"
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Sunset at Moret-sur-Loing, 1901
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24" x 18"
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Morning Sun, Autumn, Eragny, 1897
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24" x 18"
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The Cottage
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24" x 18"
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Landscape at Chaponval, 1880
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24" x 18"
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The Gleaners, 1889
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24" x 18"
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Girl with a Stick, 1881
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18" x 24"
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Snow Scene
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24" x 18"
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