Description:
"Swans Reflecting Elephants," painted using oil on canvas, contains one of Dali's famous double images. The double images were a a major part of Dali's "paranoia-critical method," which he put forward in his 1935 essay "The Conquest of the Irrational." He explained his process as a "spontaneous method of irrational understanding based upon the interpretative critical association of delirious phenomena." Dali used this method to bring forth the hallucinatory forms, double images and visual illusions that filled his paintings during the Thirties.
As with earlier Metamorphosis of Narcissus, Swans Reflecting Elephants uses the reflection in a lake to create the double image seen in the painting. In "The Metamorphosis of Narcissus" the reflection of Narcissus is used to mirror the shape of the hand on the right of the picture. Here, the three swans in front of bleak, leafless trees are reflected in the lake so that the swan's heads become the elephant's heads and the trees become the bodies of the elephants.
In the background of the painting is a Catalonian landscape depicted in fiery fall colors, the brushwork creating swirls in the cliffs that surround the lake, to contrast with the cool stillness of the water.
You are viewing a Serigraph print. Fine artists create serigraphs in limited runs by applying layer upon layer of pigment to the print surface by pressing it through a mesh screen containing a stencil. The complex and lenghty process commonly uses inks for pigment and stencils made of a variety of materials. Because of the nature of the process each serigrph is unique.
You are viewing a giclee print. Each piece was created by a special process called "Giclee". Giclee is a computer generated print that is produced by the spraying of an image on to fine art paper. The inks used are specially formulated so that the fine print heads can spurt jets of ink in minute droplets. When prints are produced on fine art quality paper, the print should posses archival standards of permanence comparable or better than other collectible work.
You are viewing a hand colored print. The process begins with hand-pulled black & white decorative and antique reproduction prints. Each print is then individually designed and hand colored using the same methods of color application that were used throughout the 19th century, before modern color lithography. Individual artists meticulously paint each piece using the finest European watercolor paints on heavy mat, acid free, archival paper resistant to deterioration and discoloration. By combining old world craftsmanship with fresh design innovations, our artists create works of stunning depth and vibrancy that are absolutely beautiful and unique.
You are viewing a museum quality fine-art print. The prints we carry are produced using either the lithographic or serigraphic printing process and are printed on high quality archival acid free paper. Most prints are on a thick (120 pound or higher) stock of paper. Each print is of the highest museum art print reproduction quality and are supplied by the world's leading art publishers. These prints rival any detailed reproduction from their originals and are geared towards the discerning eye of the particular art collector.
Limited editions are a series of identical prints, which are limited to a one-time printing of a certain number of pieces. The artist determines the size of the edition, and usually signs and numbers each individual piece. Limited edition prints framed by the Fulcrum Gallery are handled separately and given the utmost individual care and attention, using archival framing materials and practices. Because limited editions are in limited supply, and are of exceptionally high quality, the price is generally at a premium to regular open edition prints.
